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	  <div class="title" style="margin: 1em;">
	    <h1 class="noborder">Susan M. Voyticky</h1>
            <h2 class="noborder">Artist of Many Facets</h2>
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          <div style="margin: 1em;">
            Always a physical performer, Susan's love of expression through movement started at an early age.
            Flow gave way to form at <a href="http://www.stanford.edu/">Stanford University</a> where she studied
            improvisational dance while investigating theater with <a href="http://www.keithjohnstone.com/">Keith Johnstone</a> and Anna Deavere Smith. Upon
	    completing a degree in <a href="http://www.stanford.edu/group/STS/">Science, Technology and Society</a>, she went to Paris to cultivate her passions.<p>

            Years of movement and theater studies culminated naturally in the practice of movement theater
            at the <a href="http://www.lecoq.com/ecole.html">Ecole Jacques Lecoq</a>. After spending a frantic year
            learning French and the components of physical theater, Susan uncovered new possibilities of expression
            in music. Creating the group <b><i><a href="../strate/index.html">Strate</a></i></b> with Ayel Lambert Ramos gave
	    her the opportunity to m&eacute;lange improvisational voice and movement in performance. Continuing the
            expansion of her movement vocabulary in France brought her into contact with classical dance, Capoeira,
            and inevitably circus, where she discovered the creative possibilities of movement <i>without the floor</i>.<p>

            Fascination with the world above led Susan to seek intensive training in London at
            <a href="http://www.thecircusspace.co.uk/">The Circus Space's</a> <a href="http://www.cssd.ac.uk/courses/bahonscircus.html">BA Theatre Practise</a> program. At the BATP
            program she had many opportunities: to study the components of traditional and new circus, to experience
            and understand the physical demands of a circus artist, to explore safely a variety of equipment&mdash;and,
            most importantly, to create and perform. She emerged from the program a fluent aerialist and a versatile
	    performer.<p>

            While in the UK, Susan's creations for performances included: <b><i>The Garden of Eden</i></b>, a piece
            made with Daniel Lechner including dance, acrobalance, doubles aerial work and the fall from grace,
            performed at the Stratford and Hackney Marsh Festivals; <b><i>Crossed Stars</i></b>, an act made with <a href="http://www.kickingthemoon.co.uk/max.htm">Max Haverkamp</a> combining juggling, cerceau, acrobalance and emotion, performed at Festisis and the London
            Juggling Convention; <b><i>Abandon</i></b>, a solo for swinging cerceau with live singing, performed
            at the International Mime and SkyDancers Festivals; and finally, <b><i>Transposed</i></b>, a comic duet
            for cradle created with Nick Litton, exploring the fear within.  Always relishing a challenge, Susan's
            ability to work as assistant director (as well as perform) was tested with director Deborah Pope on
            <b><i>Tick</i></b>, a two-week creation for Project Ellipse at the Auch Festival.<p>

	    In February 2002, Susan returned to the Bay Area to create innovative movement theater in the United
	    States. In her first major project, she worked with <a href="http://www.848.com/hennessy/">Keith Hennessy</a> in developing a new circus company
	    called <b><i><a href="http://www.circozero.org">Circo Zero</a></i></b>, which premiered at
	    <a href="http://www.artaud.org">Artaud</a> in June
	    2002. She has also performed with the company in several other local events and festivals around the
	    country. Most recently, Susan performed with San Francisco's
	    venerable <b><i>New Pickle Circus</i></b>, taking on the principal role in <i>Circumstance</i>, a piece played
	    throughout the Bay Area during the 2002-03 holiday season.<p>
            
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